暂无剧情简介

暂无剧情简介

The late Irish hero fireman's (Lefty) charming son William M. "Billy" Dylan (25) is elected as independent, youngest Massachusettes state representative. He joins the Democrats, Congress seat Beacon Hill's legendary rooster, House speaker Charles T. "Chick" Mudoon, who trusts the customary campaign debt check will reel the rookie in as another meek party soldier. However the naive, naturally noble new boy, who doesn't hesitate to single-handedly fight off two skinhead gay-bashers, has and follows his own conscience. He defeats Muldoon's dodgy attempts to prevent a congressional committee investigating state police school cadet abuse, which would compromise his deputy, majority leader Spanky Reardon. It seems Muldoon's revenged when Dylan gets framed for the alleged violent abuse of a two-faced congressional aid. However, there's a more devious, ambitious plot behind two abuse cases and a staged corrupt payment for a memorial hospital wing.

To some art is simply a painting, a sketch, perhaps a photograph - but to others, art is pain. That kind of art can't be framed, it has to be captured in a different way. At least that's what a villain would think.

Abuse of Perfect Data is a moving-image exploration of generational memory, using 16mm archival footage shot by the artist’s grandfather in the 1950s–60s. The film juxtaposes analog slowness with digital acceleration, reflecting on youth anxiety, cultural inheritance, and the transformation of personal archives in the age of data.

American Sasquatch: Man, Myth, or Monster takes audiences on a groundbreaking investigation into one of the world's greatest mysteries. Created by former police detective and best-selling author of the Missing 411 series, Dave Paulides, the film combines cutting-edge science with gripping storytelling - from quantum physics and advanced DNA analysis to the insights of PhD researchers and respected institutions. With startling evidence that blurs the line between folklore and reality, viewers are invited to confront compelling facts that may forever change how we see the legendary hairy biped.

Host Elvira, Mistress of the Dark, satisfies the yearnings of viewers with a taste for terror in this one-hour special devoted to movies' ultimate bad girls. From witches to vampires, female monsters and robots to women possessed and women from outer space, Bride Of Monster Mania unearths dazzling film footage, rare photos and exclusive interviews to pay homage to the scream sirens who have succeeded in seducing moviegoers for decades.

In The Making of Monster the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Douglas Gordon’s performance-based films that often depict his own body in action. Also characteristic of his work, the scene takes place in front of a mirror, suggesting the kind of personal self-reflection that one is capable of – both good and evil. The video makes clear cinematographic reference to the ‘alter-ego’ transformation in Mamoulian’s Dr. Jekyll and Mr. Hyde, and to the “You looking at me?” sequence performed in front of a mirror by Robert De Niro in Scorsese’s Taxi Driver, which also inspired Gordon’s Through a Looking Glass (1999).